Tired Hands Brewing Company Presents
BIRTH DAY with Pallbearer Performing ‘Sorrow and Extinction’, Weedeater
Pallbearer emerged from Little Rock, Arkansas in 2012 with a stunning debut full-length, Sorrow and Extinction. The record, which played like a seamless 49-minute doom movement, melded pitch-perfect vintage sounds with a triumphant modern sensibility that made songs about death and loss feel joyfully ecstatic. Pallbearer possessed what many other newer metal groups didn’t: perfect guitar tone, classic hooks, and a singer who could actually sing.
For their 2014 followup, Foundations of Burden, the band worked with legendary producer Billy Anderson (Sleep, Swans, Neurosis) for an expansive album that was musically tighter and especially adventurous. Armed with a more technical drummer, Mark Lierly, Foundations feels like it was built for larger shared spaces—you could imagine these songs ringing off the walls of a stadium. It was a hint of things to come.
Returning to where it all began, the quartet recorded their third full-length, Heartless on their own in Arkansas, and it’s grander in scope, showcasing a natural progression that melds higher technicality and more ambitious structures with their most immediate hooks to date. The collection was captured entirely on analog tape at Fellowship Hall Sound in Little Rock and mixed by Joe Barresi (Queens of the Stone Age, Tool, Melvins, Soundgarden).
Those infamous sludge outlaws WEEDEATER finally return with their long-awaited fifth full-length ‘Goliathan’. Their new album marks the crossroads where true Southern rock and metal meet raw humour, old religion, as well as weed and whiskey. ‘Goliathan’ embodies the band’s trademark shuffle and swagger at their fullest. Syrupy slow riffs are buoyed by canyon-deep bass and some of the hardest-hitting drumming since Keith Moon. Full-on bruisers such as “Cain Enabler”, “Claw of the Sloth”, and the aptly-named “Bully” demonstrate that ‘Goliathan’ is delivering a vintage WEEDEATER and the soon-to-be gold standard of Southern sludge metal. At its founding, the band rose like a doobie phoenix out of the ashes of BUZZOV•EN. When the cult sludge act called it a day, bass player Dave “Dixie” Collins teamed up with guitarist Dave “Shep” Shepherd and founded WEEDEATER in the harbor town of Wilmington about the year 1998. Their crushing and massive first full-length ‘…and Justice for Y’all’ (2001) created an immediate buzz, while critics were struggling to put a tag on their sound. Nearly everybody agreed that stoner rock, doom, sludge and some crusty elements were part of the mix, which the band simply calls “weed metal”. The debut was produced by renowned engineer Billy Anderson (EYEHATEGOD, NEUROSIS) as well as sophomore album ‘Sixteen Tons’ (2002). WEEDEATER went out to perform live with CORROSION OF CONFORMITY and ALABAMA THUNDERPUSSY among others. After some detours of Dixie Dave, who played shortly with BONGZILLA and SOURVEIN, third album ‘God Luck and Good Speed’ hit the world in 2007 and shifted the band’s focus slightly towards the stoner side. The latest full-length ‘Jason… the Dragon’ got delayed when vocalist Dixie Dave lost a toe due to an incident with his favourite shotgun. When the sludge driven album finally came out in 2011, shows in the US and Europe cemented the band’s reputation as a fierce live entity. After signing to Season of Mist, WEEDEATER reissued their full back-catalogue on their new label. Yet the Bible Belt state of North Carolina, USA remains a fertile ground for hemp and stoner rock. ‘Goliathan’ makes the South smoke again. Lean back and let this monster record blow your mind!