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Pale Waves

Miya Folick, The Candescents

Sunday, November 11
Show | 8:30pm // Doors | 7:30pm
$15

Pale Waves

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Manchester-based quartet Pale Waves began in the early 2010s when drummer Ciara Doran and vocalist/songwriter Heather Baron-Gracie met at a liquor store. The two became inseparable best friends and spent two years hanging out and working on songs in a very insular manner, eventually enlisting bassist Charlie Wood and second guitarist Hugo Silvani to transform their bedroom concept into a proper band. Fully formed, they crafted a dark pop sound, heavy on guitars and the influence of dreamier ’80s synth pop acts like the Cure and the Cocteau Twins. In 2015 the group posted a few demo versions of songs online, eventually catching the attention of indie label Dirty Hit. Dirty Hit signed Pale Waves in 2017 and issued their debut single, “There’s a Honey,” produced by members of labelmates the 1975. Along with frequent touring, Pale Waves offered up second single “Television Romance” before dropping their first EP, All the Things I Never Said, in February 2018. A few months later, Pale Waves inked a deal with Interscope Records to handle their U.S. releases and offered up the single “Kiss,” which was billed as the first offering from their forthcoming full-length debut.


Miya Folick

I’m from Santa Ana, California and grew up going to a Jodo Shinshu Buddhist church in Orange County. I played basketball for 9 years and hated it the entire time.

I went to NYU, but stopped going to class and would spend all day walking around the city by myself. So I left and moved home and spent the rest of that semester learning how to play guitar from a person I went to high school with.

I play music because forming thoughts into sounds blends emotional and rational thought in a way that turns me on. I met my band on Tinder.


The Candescents