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The Distillers

Death Valley Girls

Monday, October 07
Show | 8:30pm // Doors | 7:30pm
$35
Oh no! Unfortunately another member of The Distillers was recently injured and they have to postpone their Philly date again. They are dedicated to make it back to Philly and play for you!!! So all tickets will be honored. Including tickets originally purchased for the original June 1st date. If you can not make the new date, please get in touch with us at info@utphilly.com for a refund.
A Note From The Band:
Andy was in a really bad accident a few days ago that resulted in two very deep gashes, a broken middle finger and a concussion. He was riding his bike down the street and a woman who was struggling with her toddler inside her car , kicked the car door open and in a split second attempt to avoid it , Andy was badly injured , his right hand taking most of the impact and requiring 40 stitches. This kind of trauma takes time to heal and unfortunately we’ve had to cancel / postpone our upcoming August American tour before reading and Leeds in the UK. The doctor believes Andy will be healed enough in about 3.5 weeks time and that’s why we are going forth with Reading and Leeds. Hope you can understand , it’s disappointing for us to have to cancel and postpone but Andy’s hand is crucial to what he does and what we do. Much love to you all , See you soon , The Distillers xxxx

The Distillers

The Distillers are excited to announce that the physical version of their 2018 single “Man vs. Magnet” b/w “Blood In Gutters” will be released on February 14, 2019 via Third Man Records. This vinyl 7”, pressed at Third Man Pressing in Detroit, is the first chance to own new music from The Distillers in over 15 years.

To call The Distillers simply a punk band doesn’t do justice to either the band or the word “punk”. Guitarist, lyricist, and vocalist Brody Dalle, uses her medium as a platform for a higher plane of visceral lyricism and independence. Few modern day punk icons have not only embodied the genre so truthfully but also transformed the depth of what it can mean so thoroughly. Originally formed in 1998 in Los Angeles, the energetic band, with Dalle at the helm, released a string of damaged and powerful albums, EPs and singles with California punk labels Epitaph and Hellcat, then released their third masterpiece of an album, Coral Fang, on Sire before going on an untimely hiatus and ultimately splitting in 2006. After breaking a 12-year silence on social media late last year, these two new tracks from the group are a triumphant return for their rabid and devoted fanbase.

“Man vs. Magnet” kicks off with crashing drums, thumping bass and melodious guitar, before transforming into a rough-and-ready punk anthem. The b-side “Blood in Gutters” is full of a wistful, wild energy from start to finish, with Dalle’s raw vocals gleaming as the chorus hits. Third Man is honored to be a part of The Distillers’ continuing legacy by releasing the physical version of this single.


 

Death Valley Girls

At the core of Death Valley Girls, vocalist/multi-instrumentalist Bonnie Bloomgarden and guitarist Larry Schemel channel a modern spin on Fun House’s sonic exorcisms, ZZ Top’s desert-blasted riffage, and Sabbath’s occult menace. On their third album Darkness Rains, Death Valley Girls churn out the hypercharged scuzzy rock every generation yearns for, but there is a more subversive force percolating beneath the surface that imbues the band with an exhilarating cosmic energy.

Album opener “More Dead” is a rousing wake up call, with a hypnotic guitar riff and an intoxicating blown-out solo underscoring Bloomgarden’s proclamation that you’re “more dead than alive.” The pace builds with “(One Less Thing) Before I Die”, a distillate of Detroit’s proto-punk sound. At track three, Death Valley Girls hit their stride with “Disaster (Is What We’re After)”, a rager that takes the most boisterous moments off Exile On Main Street and injects it with Zeppelin’s devil’s-note blues. Darkness Rains retains its intoxicating convocations across ten tracks, climaxing with the hypnotic guitar drones and cult-like chants of “TV In Jail On Mars”.